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GARY BARDEN
belongs to THE voice of British hard rock. The first time BARDEN
appeared in the scene as part of the newly formed MSG (Michael
Schenker Group) founded by the former SCORPIONS guitarist of the
same name. Their first collaboration resulted in the highly
acclaimed album “The Michael Schenker Group” which was released in
1980. Besides the great songs, and the great guitar output, BARDEN’s
voice was one of the reasons why this album became a huge success
and allowed the band to hit the road in Europe, Japan, and the USA.
Their second
album , “MSG”, saw the light of day in 1981 and followed an even
more melodic direction than its predecessor. After the following
world tour BARDEN was informed that he was no longer part of the
band and replacement was found soon in ex-RAINBOW singer Graham
Bonnet. Chrysalis, though, put out the band’s first a live disc
recorded in Japan by the original MSG entitled “One Night At Budokan”.
Searching for a new band, BARDEN started to write some songs with
THIN LIZZY axeman GARY MOORE which later on ended up on MOORE’s
“Corridor Of Power” release. Their working period was short and so
was the collaboration between Bonnet and Schenker. Bonnet sang on
the 1982 record “Assault Attack” but BARDEN was back with MSG for
some live appearances including the Reading Festival in the same
year, and the 1983 record, “Built To Destroy”. The label’s pressure
to steer more into a commercial direction though made the band quit
business in 1984. BARDEN moved on and found a new home in the
business together with ex-THIN LIZZY six-string Brian Robertson with
their band STATETROOPER who put out their highly acclaimed
self-titled debut album in 1987 and played a couple of live shows in
the following time, which now has been released on Escape Music
ESM-095 .
After a long
break BARDEN returned to the scene with "PRAYING MANTIS", “The Power
Of Ten”, and the live album, “Captured Alive In Tokyo City”
(1996). In the same year the powerhouse singer recorded the song
“Don’t Take These Dreams Away” for LEA HART’s “Metal Monsters”
Project. Later on, BARDEN and HART teamed up again for a cover
version of MAIDEN’s, “The Trooper”, for the IRON MAIDEN tribute “666
Number One Beast” (1999) and in 2000 with FM’s Steve Overland for a
recording of “Out In The Fields” for the THIN LIZZY tribute “Killers
On The Loose Again”. In the same year, BARDEN hit the road again for
a couple of live shows with COMPANY OF SNAKES and founded the band
SILVER together with Michael Voss (CASANOVA) and Bernie Tormé (IAN
GILLAN Band) who later released the albums “Dream Machines” (2002)
and “Intruder” (2003) with a new, 4th album to be released soon.
STATETROOPER finally re-united in 2004 and put out the classy new
record “The Calling”.
Gary
Barden's Discography :
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Michael Schenker Group - The Michael Schenker Group - 1980
-Chrysalis
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Michael Schenker Group - MSG II - 1981- Chrysalis
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Michael Schenker Group - One Night At Budokan - 1981 - Chrysalis
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Michael Schenker Group - Built To Destroy - 1983 - Chrysalis
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Michael Schenker Group - Rock Will Never Die (Live At The
Hammersmith) -1984 - Chrysalis
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Statetrooper - Statetrooper - 1987 - FM
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Praying Mantis - To The Power Of Ten - 1995 - Pony Canyon
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Praying Mantis - Captured - Alive In Tokyo City - Pony Canyon
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Silver - Silver - 2001 - Point Music
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Silver - Dream Machines - 2002 - Point Music
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Statetrooper – The Calling 2004 Toshiba-EMI
It’s been nearly 20 years
since Gary Barden, fresh off worldwide success as vocalist with the
Michael Schenker Group, decided to branch out and put a band together
with guitarists Martin Bushell and Jeff Summers, drummer Bruce Bisland,
bassist Jeff Brown, with Steve Glover on keyboards. Statetrooper’s
self-titled first album came out in 1987. Powerful hard rock songs like
“Shape of Things To Come,” “Veni Vidi Vinci” and even a live version of
MSG’s “Armed and Ready” made the album a critical and popular success,
prompting one journalist to proclaim Statetrooper as “…the saviors of
British rock…” at a time that they were competing with the success of
such British headliners as Judas Priest, Iron Maiden, not to mention the
early stages of the grunge/alternative movement that took over the
industry in the 90’s.
Yet,
the band’s sales figures combined with the impact of their live
performances made them a popular guest act on many major tours in
England and Europe with the buzz just beginning to reach across the pond
to the United States. Indeed, Statetrooper seemed destined to break out
on an international level when the combined frustrations of the changing
musical climate and the band’s dissatisfaction with the way their career
was being handled (both by management and label), inspired Barden to
quit -
not only
Statetrooper, but the business as well. ). “I truly had no intention of
ever performing professionally again,” Barden explains. “I enjoyed
getting up for these one-off fun gigs, but to be in a serious band
again, and put myself through the trials and tribulations was more than
I could go through.” By this time, Bushell had already left the band
having been replaced by guitar hero Brian Robertson (Motorhead, Wild
Horses, Thin Lizzy), but with two of the founding line-up gone, Summers
and Bisland decided to disband the group once and for all.
For the next 15
years, Gary performed only the occasional charity show or perhaps
entertained at his local pub, while Bruce joined up with Sweet and Jeff
with a series of bands that didn’t equal the success of Statetrooper.
One would think that as year after year passed and Statetrooper’s
history sank deeper into the past they would be all but forgotten (or
perhaps a footnote on some of the other projects band members had worked
on. But the fans had their own plans, and remained loyal to the group,
pushing them to re-form, play a gig, re-release the album – anything to
satisfy their devotion to this great musical group that had never quite
had the chance to reach their full potential. Eventually bowing to fan
pressure, the band re-released the Statetrooper album, first over the
internet and then through a deal with Escape Music. The re-issue sold
more than anyone had anticipated, and some soul-searching (not to
mention just feeling a pull to one another again) convinced Barden,
Summers, and Bisland to re-form and record a new album. They added
guitarist Martin Mickels, and even invited old friend Steve Glover to
play keyboards once again.
“From the first
day, we all felt how right this is,” explains Bisland. “and everything
has fallen into place from that point on.” Adds Summers, “We all
realized that there was something missing in our lives…and it was the
band. We all felt the calling to return to the band and to release the
songs that have been clamouring to get out for all these years.”
Appropriately, the new album is named The Calling. Songs like
Casablanca” and “I’m Alive” –relentless guitar-driven tracks - display
the band’s rock edge. But it is obvious that Barden’s experience playing
with Schenker, help to assure that his vocals are never lost in the
guitar tracks and his distinct voice is as commanding as ever.
Amerasians” and
“Marionettes” have more of a pop feel than some of the other cuts and
the melodic music topped with more meaningful lyrics than are usually
found in most typical harder rock songs help display the broad talents
of the band. Capped with the combined guitar prowess of Summers and
Mickels, this album should appeal to Statetrooper’s old fans while
attracting a wide troupe of new ones as well.
Calling” was
released to worldwide critical acclaim in August 2004 being sited by
some of the most influential rock magazines as “The best British hard
rock record for decades” receiving more than its fair share of 9/10 and
10/10 ratings from various luminaries throughout the highly influential
“Web” media!
In
February 2005
‘The Calling’ was signed to Japanese giant record label TOSHIBA-EMI with
sub publishing licensed through the legendary BURRN music corporation.
To further enhance the bands international reputation and to fulfil the
demand for the bands music in South America, Rio based Brazilian Record
label BIG ROCK MUSIC unleashed “The Calling” into the Latin territories
during the latter stage of July 2005.
On the
live front the band began touring the UK during the early months of 2005
culminating in 5 sell-out shows with a headline spot at the Sheffield
Rock festival in May 2005. Statetrooper consequently were invited to
play the Sweden Rock Festival on 11th June 2005 headlining
the Spendrups stage supporting Dio and Motley Crew.
-
Laura Kaufman,
New York City August 2005.
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